#freelancefriday & #socialsaturday: We need to talk!

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#freelancefriday: We need to talk

Cheers my dears,

we need to talk! Take this as a #freelancefriday and a #socialsaturday post, as it is concerned with work and society. Both intertwined.

After having watched a video on Instagram from a German jazz musician, in which he talks about the artists and people from the event and entertainment industry suffering through the current crisis, and following that having had a conversation with an acquaintance (thanks for this, Miss K.K.), I decided it’s time to break the silence. I mean, I already talked quite directly about the risks and challenges of being a freelancer in another post – quote: “Every day that I don’t go to work is a day that I don’t earn money.” – but this here goes deeper and further.

So get yourself a tea or coffee and sit down. Because this is important.

We are all affected by the current crisis, that’s nothing new and nothing I should need to have to point out explicitly. And us living here in Germany or Europe, we’re still well off and should be grateful for it. Nevertheless, some things and circumstances need our attention.

Now in November at least here in Germany, it’s gonna be a Lockdown Light so to say – not so “light” and easy for all the small businesses, people working in gastronomy, the entertainment industry, freelancers, artists. Especially if they don’t have a well running online shop or if they live from selling products and services that are not able to be digitalised.

Second time this year that an uncontrollable wave threatens to wash away everything that hasn’t been fixed and anchored in the few months we had to gasp air. Many pub or restaurant owners and small business people fear having to close their facilities, not just for a month, but forever. Shut down and close their life work. Many musicians, authors, artists, theatre ensembles and others whose work is depending on tours, readings, performances, yeah, on social life, fear for their financial existence.

No, this post doesn’t aim to protest against masks and hygienic rules. To the contrary. They are necessary to save and protect the ones that need to be protected most.

But it’s a plea to support where we can. And we can. If we want to.

Saying “Well, what can one do, eh” right now, doesn’t help anyone. We have chances and options. Small ones. But also a small pebble in a sea can cause concentric circles.

If you’re now wondering, well, Gina, what is that you want, what should we do? I’m gonna tell you.

If you normally take your whole family out to your favourite Italian restaurant on a Sunday, then stick to that and order your favourite dish from Luigi every Sunday, because Luigi needs that! Eff the delivery apps that don’t have him listed, call him and order directly. Get over your laziness of finding an alternative that’s accessible with three clicks and don’t invest your money into big chains that already have more savings than Luigi could ever dream of, okay? Thank you.

If you’re said because you’re unable to visit the concert of your favourite band, buy CDs, vinyl, t-shirts, Merch and prove that it’s your favourite band. Or if they offer an online-concert with tickets, get your ticket. You would have spent the money anyway.

I hear you now, but we’re also struggling and need to take better care of our money. Yes, you are right. Absolutely. Good point. But let me calculate real quickly and I’m really bad at maths: If you normally would have spent let’s say 80 bucks on a ticket for the concert and you were refunded now due to cancellation of said concert, but you could purchase a vinyl or a t-shirt for let’s say 30 bucks, then it’s 50 bucks in your pocket and 30 in the pockets of your favourite artists, who are really effed and probably haven’t been sleeping well for a while now. Unless they hamstered ish loads of whiskey, wine and gin.

You love a particular poetry slammer but slams are dismissed? Well, I bet they have live recordings on CD or already published a book or two. Take the 8 bucks you would have invested in the live show and buy the book. But the book is more expensive than 8 bucks! Sorry, I forgot the pretzel and the beer plus the bus ticket/gas money/parking ticket you would have paid that night 😉 despite my lack of skills in maths I think you’re getting what I’m aiming at, huh?

For heaven’s sake, no, please, if you are struggling massively financially right now and your financial existence is at stake, please don’t invest your last button to help others, but help yourself first. Only if you have, you can give. But if you have a little, then give, cause you know what? That can save financial existences, and in some cases lives. What, 8 bucks are changing something? Yes, because if 100 people say that their 8 bucks won’t do anything, that’s 800 bucks that can’t do anything.

But you know something else? Even if you don’t have one spare cent, you can still help and support. How? By using your social media accounts to share contents of your favourite artists. Now you’re saying but Gina, I only got 20 followers, that’s not gonna be of any use. Even if I might repeat myself, I’m gonna say it again: con.cen.tric…cir.cles my friends. If one of your followers sees what you shared and clicks on the profile, finds valuable content and shares it again, we end up in the popular snowball effect and you might never now what kind of effects that can have. And I mean, does it hurt you? It doesn’t cost a penny, only three clicks while you’re taking a sh… bath. In comparison to the massive amount of free content you’re provided with by small businesses, artists & co. that’s a minimal effort, which might have a huge effect.

If you say now, hold on a minute, all this free content we get, well, they’re not obliged to provide it, it’s part of their normal marketing, then we have to get one thing straight: No, they don’t have to do it. They do it out of conviction. And for marketing reasons, sure. But mostly out of conviction. Because they have something to say. And they want to share it. Because they are convinced that it might help others, that there is something in it for someone. And rarely do they ask for something back in return. Because oftentimes a “Please support me during this time and buy my album/my book” is perceived as begging. While it’s just an appeal. And if you consumed free content en masse before and now are turning up your nose at those artists pleading for support and you call him pathetic or beggar, then please leave my virtual living room immediately. Merci.

Get another coffee or tea, my dears, we’re not finished yet.

We need to talk about Christmas, too. Besides the fact that it’s uncertain right now how exactly we’re gonna celebrate our family gatherings this year, I’d like to stick to the topic and talk about gifts and presents.

Another plea from my side: Please think, buy and invest wisely. If you normally would go to Luigi on the 25th to get your Scampi al Forno with all your family, then order from him on that day. If the family photo shoot you wanted to gift is cancelled due to restrictions, buy a voucher from the photographer to get your photos when it’s possible again. If you’re not super talented yourself in doing DIY projects and cannot timber a night table yourself, then search on etsy or other platforms or talk to your local carpenter who can make your idea a reality in a professional manner.

I don’t urge or press or ask you to spend more money than planned, I don’t ask you to donate to heal all the misery in the world, because – let’s be honest – when it comes to that, my heart could bleed every day and everyone of us could donate all their income and savings to ease the pain of the world. I just ask you to take a closer look at the investments you wanted to make anyway and to make sure whether there are alternatives which would help people who are really in need of support right now. You could help them make ends meet rather than throwing your money into the mouths’ of big companies that belch one time and smirk, knowing that there is gonna be a tomorrow for them. Unlike many small business owners, freelancers and artists. Yes, maybe the handmade calendar does cost 3 bucks more but believe me, they are well invested. And if it’s only for the coffee to get the small business owner out of bed to design your personal calendar.

And if you say now, well, they should have thought about things like that before becoming a freelancer or an artist, I ask you to hold your breath for a second. One person becomes a nurse out of conviction, which includes a permanent position. The other steps into the traditional family business, sells products to keep the tradition and is able to pay themselves a regular monthly income. The other becomes a musician, author, photographer out of conviction and passion to contribute cultural value to society. And these jobs rarely ever include permanent positions or regular incomes.

And I ask you: What would your life look like without the books you read? Without the photographs of landscapes that take you to places you’ve never visited and make you dream? Without the music that got you through your last heartbreak or that was the anthem to your big joyful moment? Without the handmade bookmark gifted to you by granny? Without the handmade and designed post card that you got from your best friend, on which she wrote a quote from your favourite author and that reminds you of the depth of your friendship whenever you look at it?

If any of these things resonates with you and now you got a song in your head, and if you want these things to still exist “when it’s over” (whenever that might be and whatever it might look like), then I beg you: Start where you are, use what you have, do what you can.

Even if it’s just sharing content, a post, a story.

Concentric Circles.

with love, hope and gratitude in heart

Gina.

PS: I’m gonna speak about it on the balcony, too, so keep an eye open.

#modelmonday: Communicating with Models – #1 Finding the right model: How and where?

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#modelmonday: Communicating with Models

Every now and then, especially when I’m booked on workshops, I get frequently asked where to find models and how to approach them.
So, I thought it might be a good thing to write a blog post about this topic.

As this topic is quite broad and long blog posts don’t get read as much, I’m going to split the topic into several sections.
* finding models – how and where?
* approaching them / written communication
* behaving on set
* communicating after the shoot

Today, I’m trying to keep it short and simple concerning the first two points.

Well, times have changed and the formerly well frequented online platforms like model-kartei and modelmayhem are less and less frequented and experienced a fair drop in quality of the work portrayed there.
Which is also why several of the great ones that used to present their work on these platforms now deleted their accounts. Nevertheless, it’s worth keeping some pictures up there and checking now and then for some good job offers or for interesting workshops, model sharings, and of course models from your region for example.
Before the decrease, these platforms where a good option to pursue your hobby or passion or even job.
Now, today Facebook and Instagram are more and more present and I consider it fair to say that basically if you’re not present on these platforms, you rarely exist on the internet.
Nowadays only few people go and search for websites if they search for a photographer, respectively a model. (Unless your SEO content is of such a major quality that your website is one of the first three ones popping up when I google “photographer in [insert area]” for example.
I know that especially certain generations have a critical opinion towards social media and that even having a Facebook account is a nuisance to them. And by the way, I completely understand that!
But, I think it’s just fair to say that you should consider the option.

Now, wherever you search, here some general points:
Instead of searching directly for models, here’s another option: Find photographers whose style you like and click through their portfolio. Mostly the models are linked (as they should be, credit to those who deserve it, huh) and then you can check out their portfolio and see whether it matches your wishes and needs. If you’re unsure whether they are the right choice and whether they have the right work ethic, check for their rating or even ask one of the photographers that worked with them.
Read their sedcard text!!! Normally, if not totally devoured by nowaday’s crippled communication, the models show all important information, like range of work (fashion, portrait, nude, etc.), availability (full-time job or student), prices, special features (freckles, tattoos, etc.), impairments (allergies, short sightedness, etc.), measurements, skills (needs a MUA or can do make-up themselves) and so forth in their profile text.
Make really sure that your interest in working with this model is genuine, otherwise you do not only waste their, but mostly your own time as well.
Then write them a message in which you already include parts of the concept you’d like to produce with them.
If possible, have a mood board ready and/or save and like the pictures of the chosen model that you really appreciate and like.
Include pictures of the styling you’d like from their portfolio or in your mood board or if you offer the option of getting the desired clothes, tell them. (nothing more annoying than getting a request for a bridal shoot and three messages into the convo you mention that the model should bring their own wedding dress – which not every model possesses, just saying –)
Let them know, if they need make-up skills or if you provide a make-up artist.
Most importantly: State within the first three sentences if it’s a TFP or a paid shoot!
Make it easy for both you and communicate clearly. No, you don’t have to write a novel, bullet points are fine, but brief them correctly, it saves a lot of time on both sides.
And respect your potential model. If the box for “nude” is not ticked… guess what? It means they don’t do nude shoots!
(I know it sounds obvious, but believe me, you can’t imagine how many people don’t seem to pay attention to the basic info on the sedcard.)

If you visit workshops, ask the photographer who is giving the workshop whether they can recommend models.

If you are a beginner and you want to focus on technical stuff, let me give you an advice: Don’t shoot with a beginner model.
Be willing to pay! Pay for an advanced and experienced model who knows how to act in front of the cam, so you can focus on light, lens, aperture, ISO and all the other things you need to focus on.
You save yourself a lot of energy with that, because it can put pressure on you, if the model doesn’t know what to do and asks “like this?”, “should I do this?”, etc. because they feel just as insecure as you do. (same goes the other way round, but I already talked about that in another blogpost on building a portfolio)

So, once again, in a nutshell:
* search on model/photography platforms
* search on social media
* scroll through other photographers’ profiles and check out their models
* ask the leading photographer at a workshop for recommended models

* read the model’s sedcard text and check their portfolio and their range of work
* communicate your concepts and ideas clearly
* put all relevant information in your message
* state if it’s a TFP or paid shoot
* state what you provide and what they should bring
* as a beginner: be willing to pay for an experienced model

I hope my ideas provided some impulses and inspiration for you.
Let me know what you think or if you have ideas that I missed, shoot me a message.

For the sake of self-advertising:
Yes, you can book me as a model, if you wish to work with me 😉
Just scroll through my portfolio and hop over to the contact section and send me a message.

So long, my dears.

xx

#modelmonday: The Carnival of Characters

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#modelmonday: The Carnival of Characters

Helau & Alaaf, my dears!

Well, if you don’t know what that means, probably you’re not from Germany and/or have never lived in areas where carnival a.k.a Fasching (in my area we call it Karneval) is celebrated.
No prob, it’s a great festivity before Lent, with a long tradition, where everybody dresses up as someone or something else and celebrates with parades and music (and a lot of booze).
It’s not comparable to the colourful carnival de Rio, obviously, as the weather mostly isn’t as spectacular, but many people across Germany get feverish for the 5th season, as it’s also called.
[if you want to know more about this tradition, which has its roots in Christianity, let me know or ask uncle Google or aunt Wiki :p ]

So, now, Gina, is modelling like a great carnival in front of the cam?
Do you feel like wearing a disguise or dressing up as someone else when you work as a model?

Well, for me personally, my work in front of the cam is not comparable to carnival.
Although I participated in photo projects in which I felt like wearing a disguise or rather like an actress playing a role and slipping into a different character.

dw-foto-art
justyhmakeup

But in my personal case, I have to say that modelling showed me rather more of my own facets than taking me away from my own character, I’d say.
I think, the fearful thoughts of a mother, when the kid says “Mum, I’m gonna become a model!” swirl around things like “Great, now they will get superficial, compare themselves constantly to other models, take their measurements three times a day and only eat cotton pads soaked with orange juice!”. Ergo: Panic!
And by no means do I intend to diminish or belittle these worries.
The age, in which many of the girls and boys start entering the model business, is a fragile one, one, in which the self-confidence and character is not yet as stable as to deal with the constant competition, the comparisons and the many rejections without taking it personally or connecting it to oneself and one’s body.
On the other hand, we could say that youngsters don’t have to enter the model biz for that, as peer dynamics and peer pressure do the same.
That’s what I know from my instagram-free youth. Nowadays the oh so social media just adds to it.
But what I’m aiming at, is that youngsters and young adults will end up searching for themselves and their uniqueness by trial and error anyway. One day they will run around like a hippie without a bra and the next day they’ll wear fake lashes looking like a femme fatale.
I am not denying that the pressure in the model industry, especially if pursued as a professional career and not a hobby, is another dimension!
Important note here: No matter, whether it’s normal peer dynamics or whether your children, friends, etc. decide to start modelling, let them try out things, but if you detect dangerous and harmful changes in their behaviour and thought patterns, please do talk to them! That’s my humble opinion.

Talking from my own experience, I can definitely say that there were moments in which I compared myself to other models concerning height, measurements, weight, outward appearance, hair, style, body and work ethic. But probably every employee and amateur pursuing a hobby does the same.
We compare each other and our work.
And probably that’s the biggest crux in this particular field of work: To make a distinction between your work and your body when it comes to modelling isn’t as easy as in other fields, let’s say a report, a product, a text.
If I wrote a text my client doesn’t like and they say “Gina, the text you produced does not fit my requirements.”, of course, I could take it personally, but there is the text and here I am. Although I produced the text, the text is not me.
But when a photographer says “Gina, your posture is a catastrophe and your body doesn’t look like the measurements on your profile, you seem more corpulent.”, to make this distinction between my work and my outward appearance, my body, the home of my soul, becomes far more complicated.
I think you get what I mean.

But it’s not impossible. It’s a lot of hard work, as is taking critique not too personal in general and to despair and doubt oneself directly, which probably everyone of you knows, be it professional, hobby wise or in personal matters.

Fortunately, in retrospect, I can say that modelling rather helped me see and understand my own facets than pushing me into crises.
To the contrary: On days, where work didn’t go as planned or when in personal situations things went wrong and I started doubting myself, my work and wondered what the eff I was doing, a look on my colourful portfolio often gave me a kick of “I am Miss fucking Laventura, I have been so many things already, a fairy, a nerd, a fashion model, an artificial being, the powerful rock girl, the delicate one, and so much more. Why the heck should I not be able to do it?!”

helena behle

JimP4nsen

dw-foto-art
justyhmakeup

vanessa marie

sw-fotografie

norbert josefsson

But, here’s a big BUT, that can also be related to the fact that first of all I didn’t pursue a professional model career, I didn’t run from casting to casting, and quite early on my focus was put on creative, artsy productions and later on on expressive pictures that I could combine with my texts. Maybe that helped me a bit to escape the pressure of the mainstream. (And I say that with all the love, I mean the popular fields of beauty, fashion, lifestyle, commercial).

By the way, I don’t mean to sugarcoat anything here. I received so many rejections that I can’t even put all the frustration, disappointment and doubts into words right here.
Agency after agency rejected me because they didn’t see good placement chances with their clients, because either my face was too special or not special enough.
So many jobs slipped through my fingers, although I fulfilled all the requirements, etc. etc. etc.

But through all this experimenting one can learn what feels natural and what doesn’t, where is the line between a facet of me and a role I play?
There were shootings in which I wore clothes and styles that couldn’t have felt more strange to me and I can say, it was a role I loved playing.

christian becker
visahamm

What counts then for me is: Did I play the role well? Does it come across as authentic?

Likewise, there were shootings that set out as a role, with which I couldn’t identify at all, and during the shooting itself I discovered that it was an unknown or even neglected facet of myself.

norbert josefsson

This playing and experimenting has the potential to teach you a lot about yourself, which can also contribute positively to self-confidence.
After a while, it becomes clear what feels natural and what feels like a role, which role is a role that I can identify with and which one goes completely against my natural disposition.
Likewise, it teaches you to reject projects that don’t fit you, no matter how versatile and flexible you are, because if it’s a role that you cannot bring across authentically, it doesn’t serve anyone.

And sometimes it’s just great fun to jump into a different character and to be someone you’re normally not.
Like on Karneval: You’re a princess, a king, a clown, a childhood hero.

The most important thing is that you always take the core of yourself with you.
And that means mostly and foremost to know yourself and to get to know yourself. Of course, laughing about and with yourself, too.
And in an ideal case it’s fun and enjoyable to be yourself.
With all the facets, crazy attitudes and quirks.

manufaktur lichtbild
andreas trnka

Did/do you celebrate carnival?
If so, what’s your disguise today? Who are you?
I’m sick, so I go as a bottle of cough sirup.
And you?

xxx
Gina.

#modelmonday: Building a Portfolio

#modelmonday: Building a Portfolio

Building a Portfolio

As there are many aspiring models and hobby models out there who’d like to take a step into modelling as their profession or passion, but often don’t really know how to start, I thought about sharing some experiences, insights and my personal opinion, based on what I have learned during 10 years of standing in front of the camera myself.

I’d like to start modelling but I don’t have good photos

Now, first of all I recommend you ask yourself whether you’d like to pursue a career in this business or whether you consider it more a hobby or passion.
This is not to say that once you decided, you have to stick with that decision, you might as well turn your professional desire into a passion or make your passion your profession.
All I’m saying is that depending on your answer, the approach might be different.

1. If you’d like to pursue it as a career I recommend you get some good digitals (basically shots with no make-up, face front, face profile, sometimes front with a smile, whole body shots, often in tight clothes or bikini so your shape becomes easily visible) and directly apply to agencies.
But beware, getting good digitals isn’t always as easy as it sounds as a wrong angle might eff up your proportions completely and looking at them you’ll wonder why you ever thought you could apply to a modelling agency.
Believe me, I know what I’m talking about.
The other option is you check for open castings provided by your agency of choice, sometimes they offer open castings where digitals are also taken, but it’s always a good idea to already have some pictures with you.
And yes, that might mean you’ll have to invest. Check for photographers that offer sedcard (or setcard) photo shootings, they might help you get a good base to get a foot in the biz, and yes, as it is their profession, they want to be paid.

2. If modelling is rather a hobby or a passion for you, it’s not a bad idea to have good digitals, too, but this doesn’t necessary have to be the first step.
What you want to do is get some photos of you that show your versatility.
What do I mean by that? I mean that you want to get pictures of yourself that differ in style, styling, location, facial expression and mood you portray.
Maybe you’re lucky enough to have friends who are photographers or you know someone who knows someone, etc. to get some pictures that you can start with at least to register on platforms in order to find other creatives to collaborate with.
If not, you might consider paying a photographer for a first session in order to get a base.
Then you can for instance register on a platform that offers a space for photographers, models and make-up artists to collaborate for joint productions, free projects or even paid jobs.

digital face front -dermagdans-

I’d like to build a versatile portfolio, but how?

1. Even if you decided to pursue modelling as a career, registering on a platform where creatives meet or setting up a Facebook page or showing some pictures on Instagram might help you get attention from some amazing photographers that would like to work with you. If an agency accepted you, they often know photographers and you start off by shooting some free projects with them, which adds to your and their portfolio.

2. No matter whether additionally to your career or for your hobby or passion, checking said platforms for Tfp projects (free projects intended to broaden the portfolios of photographer and model where none earns money but the photographic results serve as compensation) is a good idea to get involved into different projects set on different locations in different outfits and styles and to work with different photographers who produce pictures in different looks.

3. Another option, which many don’t like to take into consideration, is search for photographers whose style you adore and whose work would level up your portfolio and then, yes, guess what, PAY THEM ! I know, unbelievable. Thing is this: Often times the top ranking photographers you’d love to work with don’t offer Tfp shoots. Or at least not to amateurs. And yes, darling, according to many people’s definition we are amateurs. So, if you really crave getting pictures from this photographer, save your money and go for it.
By no means do I say that you can’t ask them whether they’d be down for a Tfp shooting with you, please don’t misunderstand. I’m just saying that often times they do free projects either with very experienced models or with promising new faces. And whether you’re a promising new face or not is unfortunately not up to you to decide.

.

Should I invest into building a portfolio and if so, how much?

1. If you’re registered with an agency, they normally take care of test shoots to broaden your portfolio, so you shouldn’t pay a photographer in order to take pictures from you if your agency got you this test shoot.
Never ever should you pay for the registration with an agency or for a casting! Never ever! If you read about a casting where you should pay for the establishment of a setcard or for the photos taken by a professional photographer or anything like it, leave it, drop the idea, don’t do it, it’s not serious!
You might tend to think “but I’m not an experienced model, of course I have to invest before I earn” and well, the approach is more than true in various fields of life, but consider this: If you sent your pictures to an agency or went to a casting and they decided to add you to their list of models, then it was because they saw potential in you. Potential to get jobs, earn money, and as they earn from what you earn, it’s also the potential money they see you bringing back. So, don’t ever pay for setting up a profile or setcard for your agency. Serious and professional agencies don’t do that. They might take a certain charge from your first fees in order to compensate the expenses they had for getting you those jobs, yes, but: You don’t pay in advance!

2. Different when you’re not registered with an agency. Of course you still have the chance to participate in free projects, but there is no one providing you options like these, but you have to find them yourself, for instance on creative collaboration websites or if you follow photographers and make-up artists on Facebook and Instagram and they are searching for a model. If you only find Tfp options that don’t really add to your portfolio because you already have a million pictures in this style or because they all go into a direction you don’t aim at, there is still the possibility to search for jobs you have to pay for, but sometimes these are special offers for a specific topic. So, sometimes you only have to pay the make-up artist or it’s just a small fee you have to pay for photographer, make-up artist and post processing. And with small fee I talk round about 80 €. That’s a mofo deal!

3. So yes, I understand that you don’t want to or can’t invest a fortune into building a portfolio, but saving some money and putting it into a well spent shooting that gets you extraordinary results, is worth it. It raises the tendency that great photographers, yes, even those ones you stalk on a daily and that mostly work with very experienced models, see you and see your potential and that you get asked by cool creatives to collaborate with them.
Does this already land you jobs where you earn a lot of money? Well, if you’re really lucky, yes. In a normal case, rather not. But it gives you the chance to collaborate with other creatives whose portfolio might be broader or of high quality on Tfp, which then adds to the attention you gain, which offers you more chances for more free projects, which eventually might lead to you getting paid jobs. (Oh, and paid jobs rarely come to you via email in the morning post, while you’re drinking coffee and painting your nails or grooming your beard, if you’re a male model, you actually have to search for them and apply. Unless you just ate a fortune cookie that serves you luck 24/7, then your inbox might explode in 3,2,1….)

.

So, talking from my own experience, I can say that building up a portfolio which enabled me to work with the great photographers that I had been stalking often enough before, dreaming to work with them, thinking “they will never work with me” etc., wasn’t an easy task, but you learn a lot on the way and that’s amazing, too.
I started off with having some Tfp shoots. I was lucky enough to have caught a photographer’s eye on an event who then gave me his card and asked me to come around for a free photo shoot. That was pure luxury and I’m really thankful for that. With those pictures I registered on platforms and browsed through the Tfp jobs and applied.
And guess what: I’ve been rejected a lot. Like… A LOT!
Then I saw some jobs where you had to pay, but I watched the pictures of the make-up artists and photographers working on the projects and thought “I’d love to work with them!”. Well, round about 100 other girls thought the same, so even paying for it wouldn’t give you a guarantee to be part of the project. So, I took some of my saved money and invested in different jobs of this kind. And it WAS SO WORTH IT!
I picked them wisely and did my research well before throwing my money out of the window, but it instantly raised the level of my portfolio. It’s really important to choose wisely and to consider the quality of the photos, the uniqueness of the project etc. before you invest.
We’re talking inVESTment, not inWASTEment, huh.
It must have been round about 5 photo shootings I paid for, each of them ranging somewhere between 40 € and 100 €, so yes, I invested something between 250 € and 300 € of my hard earned and saved money into great pictures of extraordinary kind back in those days.
And they gave me the chance to work with so many great photographers on Tfp later on that now I can count several Tfp and paid shootings to my portfolio, because yes, later on, I also landed jobs where I got paid.
The way wasn’t easy, but every step was worth it!

dermagdans

I hope my recommendations and coffee chat like rambling helped you and gave you a little insight.
Feel free to share your own experience with me and let me know if you still have questions. Let me know in the comments below, shoot me an email or send me a DM on Instagram.

Blogwarming Party

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norbert josefsson

Welcome!

Grab a drink, take a seat or join me on the dance floor and let’s celebrate together.
The sofa is already there, decoration is not yet complete, table and chairs are ordered but not yet delivered, so take some cushions and make yourself comfortable in my place of creativity, my new virtual home.

Just like a housewarming party where not everything is 100% ready and perfect, I throw this blogwarming party today, where the frame is set, new layout plastered on the walls, but some details might still be added or removed in the course of the coming weeks.
Nevertheless, I hope you enjoy it here and that you come over and visit me often.

After two years of not blogging, many months of planning the new layout, structuring ideas and setting up a whole strategy and subject schedule, pulling all-nighter after all-nighter in order to progress and proceed here, my fingertips are still covered in colour, my hair’s a mess and I’m still sweating.

But you see me with a smile on my face as it feels good to be back.

Let me give you a quick “room tour”. – Everybody should know where the loo and the fridge with fresh beer is, huh? –
On top you find the different topics.
The portfolio offers you an insight into my photo and video repertoire.
The about section offers you information on me, this blog and my work. Same in German below.
The services section gives you an overview of the services I offer on this website, including modelling and writing with the specific services of poetry & prose for special occasions and professional storytelling.
Contact & booking explains itself, I guess.
The Creative Chaos Cloud shows you all categories which you can find blog entries about, so that you can quickly get to the topics you’re interested in.

So much for the room tour, I hope you’re gonna find your way and if you still have questions, don’t hesitate to ask me. I’m trying to be a good host, you know.

What are the plans for the next weeks, what do I offer and why should you come back?
First of all, I’ve worked hard on a concept and contents that might be of value and interest for you.
So, here is what I came up with:
I will blog four times a month, so once a week about topics connected to the different fields I’m working in. One topic a week, that is.
Thus, what you gonna get is this:
#modelmonday: Information for models and photographers, funny anecdotes I experienced during 10 years in front of the camera and other info connected to this field.
#writerswednesday: Information for writers and readers, food for thought, inspiration and impulses revolving around writing and reading.
#socialsaturday: Random topics connected to us humans interacting with one another, social phenomenons, questions, perspectives, impulses on social topics.
#sundaystory: Yes, the sundaystory will be back and we gonna play again. If you don’t know what the sundaystory is, please click here. I will announce the next round early enough, but this won’t be before August probably, as I still owe two of my readers their stories.

After this blogwarming party, where you can take your time to stroll around and look at the redecoration, the new furniture and features, there will be a special series on the balcony, a.k.a instagram. So, don’t forget to check out my plants on the balcony, too.
Plus, I will also take you with me behind the scenes of creative productions in the insta stories.
The special series has been a production with Norbert Josefsson, which we produced last year, but I considered it so beautiful that I kept it for a special moment.
And I think that moment has come now.
So every day, starting on Friday, 15th June, I’m going to post one picture with text on instagram and facebook, which will add up to a series of six. On Thursday, 21st, you will get the complete series here on the blog as well as on instagram.

After the special we will start off with the first sundaystory on the 24th, as it has been two years of me owing these stories to two of my readers.
I hope you’re still there and I hope you still gonna read it.

Which leads me, after the organisational part, to the speech I’m supposed to give on such an event before everybody starts popping bottles like crazy – or at least that’s what I’m gonna do –.
Ahem, clink clink, ladies and gents, may I have your attention please: (you better grab another shot and drink, this is gonna take a while – or just skip the part written in italics – the perk of being here virtually and not in reality)

Thanks for being here tonight, for sharing this moment with me, for taking some time out of your busy day to join this celebration.
I’d like to thank all of the followers here on WordPress that stayed although I haven’t blogged for two years, which, in nowadays time is like an eternity.
Also I’d like to thank all the followers on instagram that didn’t unfollow when I didn’t post for six months, which is close to social media suicide.
I’d like to thank the virtual community for staying with me, supporting me and being patient with me.

Most of all, I’d like to thank the people, especially my closest friends, who virtually and in real life sent me their positive vibes and words, who encouraged me to keep up the work, who relentlessly kept asking about my work, my art, my blog, my writings and my poetry, who invested their time and energy to provide me with tipps and tricks, good advice and knowledge about social media, who gave me input and impulses for new content, who were patient with me when I asked for advice and feedback and who were loving and caring when I had to say “no” to events and instead had to sit down and work, who shared their nurturing positive energy with me and who knowingly or unknowingly inspired me and fuelled my motivation.

Without all of you, your patience and support, we probably wouldn’t be celebrating today.
It wasn’t an easy time and task, but now we’re here and I raise my glass to all of you. I’m forever grateful.

martin zethoff

Now enough of the talk and enjoy your time here, I hope you gonna stay a little longer and come back frequently.
If you have any questions, let me know.

xxx
Gina.