#writerswednesday: Happy New Year! 2020

© Thorsten Marquardt, VG Bild-Kunst, Bonn 2019 – full text at end of post –

My dears,

I wish you all a Happy New Year!

A new decade is lying ahead
and I hope we use it to spread
ideas and inspiration
reflection and some contemplation
breathe it in and smile some more
set the sails and move from shore
into the great wide sea
to grow, become and be
what and who we are meant to be.

It’s exactly collaborations like these that make my heart jump and be even more passionate about art.
There are these moments where you’re having a really nice and interesting conversation and then, when continuing the exchange via email, something great is forming itself.
Thanks to Thorsten Marquardt, who sent me this picture, which gave me – in connection to our conversation – the inspiration for this poem and thanks to his efforts it now looks the way it does, as he put the text around the picture.
I truly appreciate the exchange with others, as I always say
Inspiration through Communication
And this is proof that it works.

Thanks to everyone who worked with me in 2019, who gave me insights, impulses, feedback.
Nothing of it goes unnoticed.

I thank all the people I was allowed to meet on my way and to collaborate with from the depth of my heart.
2019 taught me a lot. About goodbyes and hellos, about exchange, about nurturing, needs vs wants, about people, life and art. And so much more.
Not only do I thank all the people, who made the year so insightful and meaningful as it was, but I also thank the year itself for having been such a good teacher.

To all of you reading this: I wish you all the best for the new year, the new decade, I hope you had time to reflect on the past, be in and enjoy the present and look into the future with a hopeful heart and determined mind.

The sails are set
and I bet
the wind is soon to come
to move ahead and move along
into a wider space
from place to place
and home once more
into the water and back to shore
ever moving
ever growing
as life itself
a water flowing

© Gina Laventura, 2019

© Thorsten Marquardt, VG Bild-Kunst, Bonn 2019

poetry, passion and perseverance
let us endure the loss of what once
was our home, our harbour, we were safe
the slight remembrance
and subtle memory, we take to our grave
written in our bones, our chest, our breath,
the idea of paradise after death,
the holy land
after the end,
giving hope, but causing pain,
so we write and love again and again,
to go back
but we lose track
and for the apple we reach
although they teach
us to withstand temptation
but in secret contemplation
we are all half sinners, half saints
and the idea of paradise
faints
and lives only in hopes and dreams and memory
and in art we see
what once
was our home, our harbour, we were safe.
persevered through poetry, passion and prose
and from the grave
they rose
into the holy land.
a longing, a dream, a missing
that will barely end.

© Gina Laventura, 2019

#writerswednesday: Pro vs. Passion

Beitrag auf Deutsch

#writerswednesday:Pro vs. Passion

Hey my dears,

it’s #writerswednesday again. Yes, I know I’m too late, but sorry, “real life” as the grown-ups call it, kept me busy.
But don’t worry, I’m planning on something as a compensation to make up for the delay.

So, what’s today’s topic?
We’re going to have a little chit chat about writing as a profession and writing as a passion.
Which, by the way, does not necessarily exclude one another.
But step by step.

So, let’s say you’re a writer. A passionate one. Maybe you’re a good one. Maybe even a great one.
Let us be honest, tendencies are quite high that you’re not writing for a living.
(If you are, please get in contact with me or comment on this post, I’d love to hear your opinion on all that’s gonna follow now.)

So, maybe you have tried to get your works into publishing houses or maybe you didn’t.
Well, which other options are there to work as a writer?
You could be an editor, so correcting other people’s texts, books, websites, dissertations and other academic texts.
Or you could work as a copy writer in an advertising agency or a marketing agency.
If you have profound journalistic knowledge, maybe you’re even working for a newspaper or magazine. As a writer. Or editor.
Or as something completely different, as it is quite often the case.
But let’s assume your work has something to do with writing, be it building headlines and capturing texts in order to market a product or be it reading and correcting books or other written works.

It was in Austin Kleon’s books Steal like an Artist* and Show your Work* that I was confronted with the idea that instead of aiming for a writing career there is a moment of bliss when your writing hasn’t been commercialised yet, because you can follow your passion and be as free as you want to. No expectations, no briefings, no deadlines, no customer that wants some particular text from you.
In that moment, years ago, when I read it, I was a bit taken aback by this utterance, but the more I thought about it, the more it dawned on me what he meant.
A similar thing is what I experienced in my academic work, because as long as I could choose a topic and hold a presentation on it in a manner which was rather free, besides the design of the slides that was mandatory, I felt like doing exactly what I wanted to do. But once I was asked to write a term paper with all its framework and structure and requirements, I felt so under pressure and was so concentrated on making my academic work fit into the framework, that I actually didn’t pay as much attention to delivering the content in an understandable and logical manner. (I know there is a problem with this example, as presentation and written term paper are two different mediums, but let it just sit here for the sake of the argument, okay? thanks.)

Anyway, as long as your art is not commercialised (yet) you can do what ever you like as you’re not obliged to please a client.
Of course, you should keep your audience in mind and create content that they hopefully gonna love, but that’s not the same as someone yelling at you “THAT is what I paid you for?!”.
You get the idea, I guess.

So, does this now mean that as a professional you’re not passionate?
And vice versa: A passionate creative is not professional?

Well, I’d object both ideas.
But, I’d say the way in which you burn for your own projects differs from the passion you put into your professional work.
My professional services range from text creation to translations, editing and professional storytelling to writing texts for special occasions and I wouldn’t say that there is no passion whatsoever behind it. I love this kind of work!
But I have to admit, the process of creation oftentimes differs from a spontaneous poetic idea that you can’t write down quick enough before it slips through your fingers.

On the other hand, when concerned with my own creative projects, I do not lack a professional approach when it comes to organising a photo shooting, planning in advance or when preparing photo and text combinations.
For instance my Instagram account displays mostly my passionate creative projects and not my booked professional work. But I do plan and organise which post goes together with which picture, when to post it, etc., so I’d claim there is a professional approach towards it.
Admittedly, if I do not stick to the planned postings because I don’t feel like it and prefer another idea, of course, in this field I’m free and flexible to do as I please, which is not the case with a booked service.

Nevertheless, I wouldn’t claim that profession and passion exclude each other.
But the emphasis might differ.

The question is:
Will you really lose your passion once your art becomes your profession?

I for my part, cannot give any hands-on advice on that, as my professional work and my passionate creativity revolve both around language and writing, but differ concerning the content and purpose.
But I know from a friend, who used to draw passionately, that once she had to draw for clients, she felt like losing the passion for what used to lighten up her days and meant fun and relaxation for her.
I’d claim there are often phases, whether it’s writer’s block or just being fed up with something you used to pursue passionately in your free time, but once it gets to the level that you can’t find any joy in it anymore and feel the urge to quit it all together, maybe reconsidering your choices and then adjust them, might help you not lose your passion.
For me personally, I think it is a bliss that everything I do is more or less connected by the red thread of language and text, but that professional and passionate work (because actually, it’s both work, though one might be paid and the other not or not in the same manner) differ content-wise.
If that is possible for you, maybe that’s an option for you, too.
I know others who would get distracted by having so many different projects running and who prefer to concentrate on one approach or method or type of work completely. (Which I can understand completely btw!)
And it’s not that I chose all my work to differ to this extent, but it just took its way in that direction for now and I see the positive in it.

Fortunately, I never got to a point where I considered giving up writing all together.
Giving up Instagram? Yes.
Deleting Facebook? Yes.
Stop blogging? Yes.
But writing itself and for itself? Never.

Whether that was now supported by the fact that my professional and passionate work differ or whether it’s just written into my bones and onto my heart, I can’t define.

What’s your opinion and/or experience with that?
Did you make your passion your profession and regret it afterwards?
Do you purposely not make your passion your profession?

Please share your thoughts, I’m eager to know.

So long, my dears

xxx
Gina.

 

 

 

 

 

 

 

 

*As an Amazon Associate I earn from qualifying purchases.

Reclamation – A poem in episodes

The special series I announced on my blogwarming party

a poem in episodes, by gina laventura

norbert josefsson

Don’t label my body
As if you had the right to
Cause you don’t

norbert josefsson

Don’t try to narrate my story
As if you had the right to
Cause you don’t

norbert josefsson

Don’t bathe in my glory
As if you had the right to
Cause you don’t

norbert josefsson

This body is not yours to label

norbert josefsson

This story is not yours to narrate

norbert josefsson

This glory is not yours to bathe in

norbert josefsson

You don’t own me
I only owe to fate
I write my story
I worked for the glory
Your bodies
Narrate different stories
And that is fine
But my body is my body
And my story
With all its failure and its glory
Is mine

Gina Laventura © 2017

A huge thank you to everyone who hopped over to instagram and followed the series there bit by bit and for all the comments and feedback.
It was a very special series that we produced last year and that I didn’t want to publish “just like that”, or just instantaneously (see what I did there?), so it was clear to me that I’d publish it when the frame was set. And when the blog finally went into relaunch and I was able to present my new virtual home to you, it felt like best choice that this series should be the first decoration on the long wall.
I hope you enjoyed it. A lot of energy and emotion fled into this one.

Blogwarming Party

Hier Beitrag auf Deutsch lesen

norbert josefsson

Welcome!

Grab a drink, take a seat or join me on the dance floor and let’s celebrate together.
The sofa is already there, decoration is not yet complete, table and chairs are ordered but not yet delivered, so take some cushions and make yourself comfortable in my place of creativity, my new virtual home.

Just like a housewarming party where not everything is 100% ready and perfect, I throw this blogwarming party today, where the frame is set, new layout plastered on the walls, but some details might still be added or removed in the course of the coming weeks.
Nevertheless, I hope you enjoy it here and that you come over and visit me often.

After two years of not blogging, many months of planning the new layout, structuring ideas and setting up a whole strategy and subject schedule, pulling all-nighter after all-nighter in order to progress and proceed here, my fingertips are still covered in colour, my hair’s a mess and I’m still sweating.

But you see me with a smile on my face as it feels good to be back.

Let me give you a quick “room tour”. – Everybody should know where the loo and the fridge with fresh beer is, huh? –
On top you find the different topics.
The portfolio offers you an insight into my photo and video repertoire.
The about section offers you information on me, this blog and my work. Same in German below.
The services section gives you an overview of the services I offer on this website, including modelling and writing with the specific services of poetry & prose for special occasions and professional storytelling.
Contact & booking explains itself, I guess.
The Creative Chaos Cloud shows you all categories which you can find blog entries about, so that you can quickly get to the topics you’re interested in.

So much for the room tour, I hope you’re gonna find your way and if you still have questions, don’t hesitate to ask me. I’m trying to be a good host, you know.

What are the plans for the next weeks, what do I offer and why should you come back?
First of all, I’ve worked hard on a concept and contents that might be of value and interest for you.
So, here is what I came up with:
I will blog four times a month, so once a week about topics connected to the different fields I’m working in. One topic a week, that is.
Thus, what you gonna get is this:
#modelmonday: Information for models and photographers, funny anecdotes I experienced during 10 years in front of the camera and other info connected to this field.
#writerswednesday: Information for writers and readers, food for thought, inspiration and impulses revolving around writing and reading.
#socialsaturday: Random topics connected to us humans interacting with one another, social phenomenons, questions, perspectives, impulses on social topics.
#sundaystory: Yes, the sundaystory will be back and we gonna play again. If you don’t know what the sundaystory is, please click here. I will announce the next round early enough, but this won’t be before August probably, as I still owe two of my readers their stories.

After this blogwarming party, where you can take your time to stroll around and look at the redecoration, the new furniture and features, there will be a special series on the balcony, a.k.a instagram. So, don’t forget to check out my plants on the balcony, too.
Plus, I will also take you with me behind the scenes of creative productions in the insta stories.
The special series has been a production with Norbert Josefsson, which we produced last year, but I considered it so beautiful that I kept it for a special moment.
And I think that moment has come now.
So every day, starting on Friday, 15th June, I’m going to post one picture with text on instagram and facebook, which will add up to a series of six. On Thursday, 21st, you will get the complete series here on the blog as well as on instagram.

After the special we will start off with the first sundaystory on the 24th, as it has been two years of me owing these stories to two of my readers.
I hope you’re still there and I hope you still gonna read it.

Which leads me, after the organisational part, to the speech I’m supposed to give on such an event before everybody starts popping bottles like crazy – or at least that’s what I’m gonna do –.
Ahem, clink clink, ladies and gents, may I have your attention please: (you better grab another shot and drink, this is gonna take a while – or just skip the part written in italics – the perk of being here virtually and not in reality)

Thanks for being here tonight, for sharing this moment with me, for taking some time out of your busy day to join this celebration.
I’d like to thank all of the followers here on WordPress that stayed although I haven’t blogged for two years, which, in nowadays time is like an eternity.
Also I’d like to thank all the followers on instagram that didn’t unfollow when I didn’t post for six months, which is close to social media suicide.
I’d like to thank the virtual community for staying with me, supporting me and being patient with me.

Most of all, I’d like to thank the people, especially my closest friends, who virtually and in real life sent me their positive vibes and words, who encouraged me to keep up the work, who relentlessly kept asking about my work, my art, my blog, my writings and my poetry, who invested their time and energy to provide me with tipps and tricks, good advice and knowledge about social media, who gave me input and impulses for new content, who were patient with me when I asked for advice and feedback and who were loving and caring when I had to say “no” to events and instead had to sit down and work, who shared their nurturing positive energy with me and who knowingly or unknowingly inspired me and fuelled my motivation.

Without all of you, your patience and support, we probably wouldn’t be celebrating today.
It wasn’t an easy time and task, but now we’re here and I raise my glass to all of you. I’m forever grateful.

martin zethoff

Now enough of the talk and enjoy your time here, I hope you gonna stay a little longer and come back frequently.
If you have any questions, let me know.

xxx
Gina.

Why Editors matter

Dieser Beitrag ist auch auf Deutsch verfügbar

IMG_2535

And with editor I mean reader, like the person who does the proofreading before something goes out into public.
Why is this work an important work?

Well, first things first.
We are social beings and our interaction with one another relies on communication, be it verbal or non-verbal. “We can not not communicate” as Paul Watzlawick said.
And of course we know that there are different purposes or intentions why we communicate, or at least this is what you’re taught when you study language and literature.
I don’t necessarily want to go into the details of Friedemann Schulz von Thun’s model of “the four sides of a message”, where he says a message has an informative content, an appeal/plea, self-revelation and says something about the relationship between the speaker and their interlocutor. If you’re interested in further details, you can check them here.
But for the sake of the argument let’s stick with this:
A message can be informative, appellative, persuasive or convincing.
So, when talking about business communication, say you want to sell a product or a service, but also in private communication, say you want to convince someone of your argument, I think we can agree that all these channels of communication have one thing in common: a purpose.
But what is this purpose?
When your message is informative, it’s the simple purpose that you want to pass this information, you want to feed us this information.
When your message is appellative, you want us to react upon that appeal, right?
When your message is persuasive or convincing, you want us to agree with you.
What all of these have in common now is not only that they have a purpose, but that they actually have the same purpose: You want to generate a RESPONSE in us.
But what happens if your communication fails?
Well, in the best case: nothing.
In the worst case you generate a response in us that is not the one you wanted, so you feed us information that we either don’t need or can’t handle or that we’re either incapable or unwilling to swallow.
Or your appeal was set out to generate a verbal (“say something!”) or a non-verbal (“do something!”) reaction in us. If your communication fails, we neither say something nor do we do something, in the best case. In the worst case we say what you don’t want to hear and we do exactly the opposite of what you were aiming at.
Or your persuasive or convincing communication fails and we disagree with you.
So, basically in all cases you’re getting a “no” where you actually wanted to get a “yes”, to keep it simple.

Well, nice talk Miss Laventura, but what does this have to do with editors?!
Editors – in the best case – are language lovers. Or at least they know their tools and how to use them. Their tools? Words.

Now, next lesson:
You might tend to think that the way we think determines the way we speak, so that our way of thinking influences our language, right?
Correct. But this works vice versa, and that is a point that many people unfortunately miss.
Let me give you some examples: The Inuit apparently have round about two hundred – 200 !!! – different words for “snow”. How many do you have? But why? Probably because their surrounding is essential for their survival and it is crucial for them to know what kind of snow there is in order to survive.
The Hopi Indians don’t use tenses as we’re used to using them. In the example given in our classes they tried to convert it into English, which ends up being a picture of a man who stands at a wall and in all cases says “He ran”. So, same position, same posture, always “he ran”. What is your natural reaction to that? Exactly, most probably “WTF? Did he run, does he run or will he run?!”, because these are the categories we distinguish time frames and time lines by, right? It just doesn’t get into our system of thinking. Because our language also had an influence and partly determined this system of thinking.
Of course there are easier and more popular examples like the fact that the English language doesn’t know a word for “Fernweh” – the longing for a far away place – or that simply spoken often there are some words that do exist in one language but bear no equivalent in another.

Back to the editors. As said before, they are language lovers or at least know how to use their tools.
And I don’t necessarily mean the manipulative and persuasive use of language that you often find in advertising, that is a topic of its own, although I’d say it plays similar keys on the piano.
But it’s about using stylistic devices (yes, the nasty ones you learned at school, alliteration, personification, etc.). For what? Yeah, now you got it, my friends: for the purpose! In order to get the message across, to generate a response (and when it comes to business or advertising, of course aiming at generating not only a response, but a specific one).
Language can resonate with us, it can move us, hurt us, maybe even heal us.

What I mean is this:
“The categorisation that takes place in emotional amorous relationships serves as a destructive force to the true meaning of the emotion itself.”

or

“Love becomes a lost lullaby when we label it like lipstick.”
Which one sticks better with you?

Why are we to blind to see
that a little poetry
moves so easy
from mouth to ear
so we listen, so we hear
with a smile or with a tear
what somebody has to tell?
That’s poetry’s magic spell.

(yes, just created that within a minute, wasn’t planned for this post, but hey, that’s life, response and stuff)

Okay, well Miss, now you have shown that an editor should know their tools, fine, but the title claims to give an answer to the question why editors matter.
You’re right, sorry, I’m drifting off sometimes, lovely topic of language, broad topic, amazing, love it.
Okay, I owe you an answer.
Look at the picture that accompanies this post. It’s German, I know.
The first one says “You will stay in our heart fo ever” and the second says something like “always loved and never forgtetn.”
Yes, exactly that was my reaction as well!
These hearts were sold before All Hallow’s Day, supposed to be stuck into graves.
Would you buy them? Would you put them onto a grave of one of your beloved ones?
Yeah, thought so.
But why is this a fail?
It’s not just the fact that there are spelling mistakes in it, but it bears a deeper level.
Let’s analyse it: You wanted to sell this product. You wanted us to buy this product. You offered a product and you wanted to generate a positive response, a “yes” in us, manifested in a non-verbal reaction by buying this product.
So, these products actually ending up in store and offered for purchase show different things:
First, apparently the person putting the letters on it didn’t check it. Apparently there was no editor who double-checked. Apparently there was no final check before you put the products into boxes and delivered them to the store.
But you know what the response is? No.
And do you know why the response is “no”?
Because the lack of proofreading, the lack of double-checking carries a message of its own.
And this message is that you don’t care.
That you don’t care about us, that you don’t care about our response because apparently you believe that we’re still going to buy it.
And you know what accompanies this “no”? Repulsion. Because deep down inside and subconsciously it shows a trace of disrespect and arrogance and maybe even a little insult to your potential customers.
This is just one example. Feel free to apply it to other fields.
If your website is full of spelling mistakes or you switch tenses or use wrong words, it always transports the impression that you don’t care about your readers/customers.
Moreover, you might give false information. And I think we can agree that there is a difference between “I’ve worked hard” and “I’ve hardly worked”, right?
And with that you work against yourself as by using wrong words or being careless about proofreading, you generate a response in us that is counter productive to your actual purpose and intention.
In the worst case, we will remember you as someone who doesn’t care and stop buying your products, stop reading your newspaper, not buy your book, not book the services offered on your website.
Nowadays the half-life period of a message is so short that it renders many people careless, because “nah, who cares, tomorrow this piece of information will be old and forgotten”, “nah, it’s alright, they’re gonna understand” is the mentality that we tend to live by.
It’s just language, right? And it’s just on a language level that you don’t care for us customers, right?
In person you care for us like a true nanny, it’s just the language level that lacks your attention, right?
It’s just language, eh?
Is it really?
Think about what we discussed beforehand, how language also reflects on our system of thinking. Therefore, it has an impact on our behaviour, doesn’t it?
Even if the argument “a careless behaviour concerning language shows careless behaviour in general” might be a bit too far fetched, it somehow does indicate it to a certain extent, doesn’t it? Deep down and subconsciously?
Don’t get me wrong, please, don’t take it as an offence.
I’m not saying that you don’t care about your readers or customers.
I’m just saying that this might be the subliminal message you’re transporting, the impression your readers/customers get.
And okay, not every reader or customer pays detailed attention to it, to some it doesn’t matter, but there might be potential readers/customers who will always stay exactly that: potential.
Because their reaction might be “if they care as much about me as they do about their grammar, I’m not gonna go there”.

And THAT, my friends, is why editors matter.
Because they can help prevent those scenarios depicted above from happening, because they know you, your message and your interlocutor and they find the right approach to the right channel to get it across, they can help you when all the other work concerning your project has rendered you stuck in a rut and you just want to get it done.
Because they are language lovers or at least they know their tools and how to use them.
Their tools? Words.

PS: Yes, I am cross with myself each and every single time I find spelling mistakes in one of my blog posts, although I don’t earn any money with my blog.
PPS: Yes, “love becomes a lost lullaby when we label it like lipstick” was taken from my book Labelled Love, although normally I find it strange when people quote their own works.
PPPS: Yes, well guessed, I am an editor 😉

Oceandeep


Photo & Editing: Ralph Wietek

I tried to keep you close to me.
I didn’t succeed, I didn’t succeed.

A thousand seas I would have sailed,
but I failed, I failed.

Tried my best
to protect you from the storm that was raging in my chest,
but my best just wasn’t good enough,
so I gave up, so I gave up.

Now I’m drifting hopelessly alone
remembering the stars that shone
when you were at my side,
hand in hand facing the tide
and dreaming about a million ways,
back in those days, back in those days.

The star you were, it shone so bright
and guided me through every night,
when I think back.
The sky is black, the sky is black.

Now I’m drowning and I’m drifting,
my head barely ever lifting,
I’m longing for you day by day,
I lost my way, I lost my way.

I face the ground of the ocean deep
and when I weep
my tears drop deep into the water’s blue.
I’m missing you, I’m missing you.

Finally, I found a way to soothe my aching heart,
an ending would become a new start.
On the ocean’s ground a fallen star became a gem,
we’ll meet again, we’ll meet again.

Gina Laventura © 2015

#tbt: Commitment and Confession

#tbt; a poem from 2013

We say it too often, we say it too less
we often commit, but never confess,
we think it right, but discover it wrong,
we’re fragile, but we pretend we’re strong
and strong we are indeed
but too proud to say when we’re in need,
too shy, too insecure,
waiting for someone to cure
us.
What’s all this fuss
about?
We scream, we shout
but never let it all out,
we hide away
and never say
what’s ought to be said,
whole life a gambling bet,
pointing our fingers at sins and sinners,
just wondering who’ll be the winner,
but guess what: There’s no one to win and no one to lose,
it’s all about which step you choose.
With every loss you gain something
and probably you lose something each and every time you win.
This is life, it goes up and down,
don’t complain and don’t you frown
at least not too often
cause after every storm the wind will soften
the waves.
We’re stuck in a pace
that’s out of the rhythm, out of the beat,
we ignore the achievements but we see the defeat.
What’s wrong with this world, we are all one
and we should do what needs to be done
to make it a better place,
get out of that unhealthy pace.
Take a look around yourself
and dare to tell
that it’s not beautiful, dare to find an excuse, another one
to explain why things can’t be done.
Don’t you dare to tell
that your life does not deserve the best version of yourself.
We complain too often, we do too less,
we often commit, but never confess.

Gina Laventura © 2013

Familiar Face

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Photo & Editing: Ralph Wietek

Familiar Face

And I’m looking around
searching for a familiar face,
but there’s no face to know,
no one to recognize,
‘cause I’m a stranger
and I’m lost in space.
I’m not part of this world,
I don’t belong in this environment
and still
I’m searching for something familiar,
a pair of eyes to connect with,
something that resembles me
and that I can mirror back.
But there’s no one to be found,
not a hint to trace,
there’s no one to connect and no familiar face.

Gina Laventura © 2013

Do you think you ever thought a thought

Dieser Beitrag ist auch auf Deutsch verfügbar

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Do you think you ever thought a thought
that nobody else thought before?
That even never was thought of before
in the whole history of our mankind?
Do you think you ever had an idea
nobody else had before?
Might there really be anything entering your mind
which has never ever
entered another mind before?
And what would this mean
regarding security and individuality?
I mean, if you cannot be sure of your own thoughts
– regarding the thesis that they might have been somebody else’s thoughts before –
what can you be sure of then?
Maybe it is just like the Indians once said
“We do not own the world, we just borrowed it from our children.”
Maybe it is the same with thoughts and ideas?
Maybe it is all about timing
and thoughts and ideas
have to enter different minds over and over again
until their time has come
to be put into practice
at the right time
in the right place
the right moment
with the right surrounding
and by the right person.
Do you think you ever thought a thought
that was never thought before?

Gina Laventura © 2011